The Animation Freak. Mad Monster Party.
On the Isle of Evil, Baron Boris von Frankenstein, voiced by Boris Karloff, achieves his ultimate ambition, the secret of total destruction. Having perfected and tested the formula, he sends out messenger bats to summon all monsters to the Isle of Evil in the Caribbean Sea. The Baron intends to inform them of his discovery and also to reveal his imminent retirement as head of the "Worldwide Organization of Monsters". Besides Frankenstein's Monster, sometimes referred to as "Fang" and the Monster's more intelligent mate, voiced by Phyllis Diller who live in the isle's castle with Boris, the invites also include Count Dracula, the Mummy, Quasimodo referred to as "The Hunchback of Notre-Dame", the Werewolf, The Invisible Man, Dr. Jekyll and Mr. Hyde, and the Creature from the Black Lagoon.
The Baron's beautiful assistant Francesca, voiced by Gale Garnett, enters the lab to confirm that all invitations have been delivered and inquires about one of the addressees named Felix Flanken, voiced by Allen Swift impersonating James Stewart. Frankenstein explains that Flanken is his nephew and successor in the monster business. This displeases Francesca, who covets the role for herself. Francesca even asks why there was not an invitation for "It". Boris replies that "It" was not invited since "It" can be a crushing bore, explaining that "It" even crushed the island's wild boars in his bare hands the last time "It" was invited.
Frankenstein has his zombie butler Yetch Swift impersonating Peter Lorre, Chef Mafia Machiavelli, and the zombie bellhops and servants make preparations for the upcoming party while having some zombies patrol the Isle of Evil to make sure that "It" does not show up uninvited. The monsters begin to arrive on the freighter that Felix is also traveling on.
However, when Felix proves to be an incompetent, asthmatic and unsuitably kind-hearted human, the monsters plot to eliminate him and gain control of the secret formula. Over time, Francesca develops feelings for Felix after he unknowingly saves her multiple times. As Dracula, Frankenstein's Monster, and the Monster's Mate descend upon Francesca, she sends out a letter via messenger bat to an unknown recipient. When the monsters corner Felix upon capturing Francesca, they are frightened at the arrival of "It" revealed to be a giant gorilla and a take-off of King Kong who proceeds to go on a rampage since he was not invited. "It" snatches up the monsters and Francesca on whom "It" develops a crush.
Felix rushes off to tell his Uncle Boris what happened and is instructed to head to the boat. Boris leads the zombies in rescuing Francesca from "It" using biplanes. Boris convinces "It" to let Francesca go and to take him instead. "It" complies, releasing Francesca. Felix and Francesca manage to get off the island as Boris and the remainder of the monsters remain in the clutches of "It". Displeased that the monsters tried to steal the secret of total destruction for themselves and attempted to kill Felix as well, in addition to having to put up with "It", Boris sacrifices his life by dropping the vial containing the formula destroying the Isle of Evil and everything on it.
The destruction is witnessed offshore by Felix and Francesca. Francesca tearfully admits to Felix that she is not human, but is in fact a robot creation of Boris von Frankenstein. Felix answers that "none of us are perfect" an in-joke reference to the closing line of the movie "Some Like It Hot", mechanically repeating the last two words, indicating that he is also a robot creation of his uncle.
The film was created using Rankin/Bass's "Animagic" stop-motion animation process, supervised by Tadahito Mochinaga at MOM Productions in Tokyo, Japan. The process involved photographing figurines a frame at a time, then re-positioning them, exposing another frame, and so forth. Known as stop-motion animation, it was the same approach used in RKO's King Kong, Art Clokey's Gumby and Davey and Goliath, and many other films, commercials and TV specials.
Classic monster films were enjoying a resurgence in popularity in the late 1960s, along with more comedy-centered examples, The Addams Family and The Munsters. This campy film is a spoof of horror themes, complete with musical numbers and inside jokes.
Mad Magazine creator Harvey Kurtzman penned the script with writer Len Korobkin and Mad artist Jack Davis designed many of the characters. Davis was a natural for the job, being famous both for his humor work and his monster stories in the pages of EC Comics. It has long been rumored that Forrest J. Ackerman had a hand in the script, but while the dialogue is rife with Famous Monsters of Filmland-like puns, Ackerman's involvement has never been confirmed and his name never appeared in the on-screen credits or in original promotion for the film at the time of its release. In fact, Rankin/Bass historian Rick Goldschmidt, in liner notes accompanying the Anchor Bay DVD release, denied Ackerman was ever involved, at the same time as the DVD packaging promoted Ackerman's name. Goldschmidt repeated his claims on this in a 2006 blog entry, based on his interviews with Korobkin, who claimed to have written the original screenplay, which then was revised by Kurtzman, but never worked with Ackerman.
In addition to the famous monsters seen in the film, Mad Monster Party? also features several celebrity likenesses. Karloff and Diller's characters are both designed to look like the actors portraying them, while Baron Frankenstein's lackey, Yetch, is a physical and vocal caricature of Peter Lorre. Swift also performs impersonations when voicing his characters, such as James Stewart when voicing Felix, Sydney Greenstreet as the Invisible Man and Charles Laughton as the Freighter Captain.
Mad Monster Party? was one of several family-friendly projects Karloff lent his voice to in his final years including the 1966 television adaptation of How the Grinch Stole Christmas! It was his final involvement in a production connected to the Frankenstein mythos that had propelled him to stardom some three decades earlier.
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